من عربية لعبة… لعربية مليونير: حوّل فيديوهاتك لفيديوهات لاكشري بـ Seedance 2.5 (بالبرومبتات والمهارة)

الفكرة كلها: أنت بتصوّر نفسك عادي بحاجات رخيصة، والذكاء الاصطناعي بيغيّر الدنيا اللي حواليك بس: المكان، واللبس، والحاجات اللي في إيدك. وشك وكلامك وحركتك بيفضلوا زي ما هم.

لو المتصفح فكّ ملف الـ zip لوحده (Safari بيعمل كده)، دوس كليك يمين على الفولدر اللي طلع واختار Compress، وارفع ملف الـ zip الجديد.

اطلب من Claude

اكتب برومبت للفيديو ده: نفس الشخص ونفس الكلام والحركة، بس المكان يبقى مطار طيارات خاصة لاكشري، والعربية اللعبة تبقى لامبورجيني، والسلم يبقى سلم طيارة خاصة، والطوبة تبقى قالب دولارات، واللبس يبقى بدلة وساعة دهب

ليه البرومبت مفيهوش ولا كلمة من كلامي؟ لو كتبت الجمل اللي بتقولها في البرومبت، الأداة بتعتبرها سكريبت وتعيد نطقها بصوت متولّد مش صوتك. عشان كده المهارة بتكتب الحركات بس، وبتطلب صراحةً إن صوت الفيديو الأصلي يفضل زي ما هو.

لو الصوت طلع متغيّر: البرومبت بيقلّل الاحتمال ده بس مايمنعوش. لو الأداة فيها اختيار تقفل بيه توليد الصوت اقفله. ولو الصوت اتغيّر برضه: افتح الفيديو الجديد في CapCut واكتم صوته، وحط صوت الفيديو الأصلي تحته من الثانية صفر. الحركة على نفس التوقيت، فالصوت هييجي على الشفايف من غير ما تظبط حاجة.

البرومبت الأول (Seedance 2.5)

Video-to-video restyle of @C3784, 30 s, 16:9, one continuous locked-off wide shot. Keep the man, his face, his mouth movements, his body motion, his walking path and every timing exactly as in @C3784. Keep the original audio of @C3784 untouched. Change only the world around him, his clothes and three props: the pink toy jeep becomes a real Lamborghini, the blue metal ladder becomes the airstair of a private jet, and the brick becomes a brick of US dollars. The result must look like real footage filmed at an ultra-luxury private-jet terminal.

REFERENCES
@C3784 — the source clip. Take from it: the man's face and identity, expressions, mouth movements frame by frame, gestures, body motion, step timing, his position in frame at every moment, the camera position, lens and framing, and its original audio track. IGNORE and replace: the sandy lot, the concrete wall, the pink toy jeep, the blue ladder, the brick, the red cap, the white long-sleeve shirt, the grey cargo shorts and the sandals.

LOOK
Photoreal high-end luxury commercial: full-frame cinema camera, ~24 mm wide lens on a tripod, deep clean blacks, punchy contrast, rich warm saturated colour, crisp detail, natural skin texture. Golden-hour sun low from behind the camera on the left: warm light on his face and suit, long soft shadows, gold reflections on glass, car paint and the jet.

THE MAN
Same young Egyptian man as @C3784: identical face, features, skin tone, eyes, eyebrows, nose, short dark stubble and moustache, same expressions. His mouth opens and closes exactly as in @C3784, frame by frame, so it stays in perfect sync with the original audio. No beautification, no age change, no new face. Energetic and friendly, talks straight to the camera, never still. No cap: short, neat, freshly styled black hair. Wardrobe: perfectly tailored midnight-navy double-breasted suit, crisp white shirt, navy silk tie, white silk pocket square, gold cufflinks, polished black Italian leather oxford shoes. On his left wrist a solid yellow-gold Rolex Day-Date with fluted bezel and President bracelet that flashes in the sun whenever he moves that arm. A tiny black clip-on microphone on the left lapel.

PROP RULES
LAMBORGHINI — a real matte-black Lamborghini Revuelto (low wedge-shaped V12 supercar, Y-shaped headlights, gold forged wheels) parked exactly where the toy jeep is: foreground left, nose toward the camera, body running back into depth. Its driver's scissor door, on the side facing the centre of the frame, stays raised for the whole clip. The car never moves.
MONEY BRICK — the brick is replaced by one brick-sized block of crisp US $100 bills: ten bank-strapped bundles stacked together and wrapped in clear plastic, Franklin portraits visible. It exists only from 10.6s (pulled out of the car) to 15.2s (tossed out of frame). It is one solid block: it never opens, never spills, no loose bills.
PRIVATE JET — the blue ladder is replaced by the open airstair of a white Gulfstream-style long-range private jet with a thin gold cheatline. The foot of the airstair stands exactly where the ladder's feet are, at the same spot in frame. The jet stands in the right half of the frame at an angle: nose near the right edge, fuselage and T-tail receding diagonally into the background, so the space directly behind the man stays the terminal façade. A red carpet runs from the Lamborghini's door to the foot of the airstair. The jet never moves.

WHERE EVERYTHING IS — fixed for the whole clip, the camera never moves
Foreground left: the Lamborghini. Right of centre, mid-distance: the jet's airstair, with the jet behind it filling the right side. Ground: an immaculate pale polished-concrete apron with faint painted guide lines and the red carpet across it. Background, on the exact line of the source wall (from far left diagonally to the right edge): the long, low façade of an ultra-luxury private terminal, with floor-to-ceiling glass in brushed-gold frames, cream travertine cladding and warm lights inside. Far left, where the dirt alley vanishes in the source: a palm-lined drive receding into the distance and a black Rolls-Royce parked by the terminal entrance. Golden sunset sky. No other people anywhere.

ACTION — one continuous shot, every timing follows @C3784 exactly
0.0–2.2s — He rises out of the Lamborghini's low driver's seat through the raised scissor door, one hand trailing along the car as he steps clear, then gestures at the car.
2.2–3.0s — Walks to the centre of the frame, between the car and the airstair. BACKGROUND: terminal glass directly behind him.
3.0–8.3s — Stands at centre, talking to the camera with open hand gestures. From 6.5 to 8.1s both hands rise toward his own face.
8.3–9.0s — Turns to screen-left and walks back to the car's open door.
9.0–10.6s — Bends deep into the cabin through the raised scissor door, both hands inside.
10.6–11.2s — Straightens up, pulling out the money brick in his right hand.
11.2–14.6s — Holds the money brick up beside his right shoulder at face height, bills toward the camera, and takes two slow steps toward the camera.
14.6–15.2s — With a careless flick he tosses the money brick back over his right shoulder. It flies out of frame to the left behind him, and his hand is empty.
15.2–16.2s — Turns to his left, three-quarter back to the camera, and presents the jet's airstair with his extended left arm, palm open. The gold Rolex catches the sun.
16.2–19.5s — Turns back toward the camera and steps slightly to screen-left, his left arm still presenting the jet.
19.5–22.5s — Spreads both arms wide, palms open, taking in the whole place, and walks slowly toward the camera.
22.5–24.0s — Walks straight toward the camera, hands low in front of his hips, palms down, pointing at his suit.
24.0–27.0s — Now close to the camera, framed from mid-thigh to just above his head. His hands hover in front of his chest, presenting the suit, tie and watch. At 25.5s his palms turn up.
27.0–28.5s — Hands open at hip height, palms up, a light shrug.
28.5–30.0s — Steps back two paces, arms open at shoulder height, palms out, and holds this pose to the end.

SOUND — NOTHING IS GENERATED
The only audio in this clip is the original audio track of @C3784, passed through completely unchanged: his own real voice exactly as recorded, with the same words, timing, pauses and tone. Do not generate, re-voice, dub, translate or imitate any speech. Do not add music, ambience, wind, engine sounds, sound effects or whooshes. Silence is preferable to any new sound.

KEEP CONSISTENT
- His face is the face in @C3784 in every frame, including the close-up at 24–27s.
- His mouth movements match @C3784 frame by frame, in sync with the original audio.
- The audio is the untouched original track of @C3784. No generated voice and no added sound.
- The camera is locked off for the whole clip: same position, lens and framing as @C3784, no zoom, no pan, no cut.
- His body motion and walking path are identical to @C3784. Only his clothes and the surroundings change.
- No cap at any moment. Suit, shirt, tie and gold Rolex stay identical from the first frame to the last.
- The Lamborghini stays parked in the left foreground with its scissor door raised. It never drives.
- The money brick appears only at 10.6s, out of the car, and leaves the frame at 15.2s. It never bursts open.
- The airstair stands exactly where the ladder was. The jet never moves.
- No other people. No on-screen text, subtitles, graphics or watermark.
- Rich, saturated, sunlit colour in every frame, never washed out, hazy or grey.

البرومبت ده مكتوب على الشكل اللي طلع فعلًا في الجزء الأول، مش اللي كان مكتوب في البرومبت الأول. الأداة ساعات بتغيّر الألوان شوية: البدلة الكحلي طلعت سودا، والعربية طلعت رمادي. فلازم الجزء التاني يوصف اللي في الصورة.

البرومبت التاني (Seedance 2.5)

Continuation clip, 13 s, 16:9, one continuous locked-off medium-wide shot. THE VERY FIRST FRAME OF THE CLIP IS @start_frame, exactly: same man, same pose with both arms spread wide and palms open, same suit, same Lamborghini, same jet, same terminal, same light. From that frame on, the man performs the exact body motion, hand gestures, mouth movements and timing of @C3784_3, while the world stays the luxury world of @start_frame. Keep the original audio of @C3784_3 untouched.

REFERENCES
@start_frame — the first frame and the look of the whole clip. Take from it: the man's face, hair and wardrobe, the Lamborghini, the private jet and its airstair, the red carpet, the terminal, the Rolls-Royce, the palms, the glossy white apron, the golden-hour light, the colour grade, the camera position, the lens and the framing.
@C3784_3 — the motion source. Take from it only: his gestures, body motion, step timing, his mouth movements frame by frame, and its original audio track. IGNORE everything else in it: the sandy lot, the concrete wall, the pink toy jeep, the blue ladder, the red cap, the white shirt, the grey shorts and the sandals. In @C3784_3 the pink toy jeep stands for the Lamborghini and the blue ladder stands for the jet's airstair.

LOOK
Same as @start_frame: photoreal high-end luxury commercial on a tripod, golden-hour sun low behind the terminal on the left glowing in the gold-tinted glass, warm soft light on his face, deep clean blacks, rich warm saturated colour, crisp detail, natural skin texture.

THE MAN
Identical to @start_frame: same face, features, skin tone, eyes, eyebrows, nose, short dark stubble, short neatly styled black hair, no cap. His mouth opens and closes exactly as in @C3784_3, frame by frame, in perfect sync with the original audio. Black three-piece suit with waistcoat, white shirt, slim black tie, white pocket square, solid gold watch on his left wrist that catches the light whenever he raises that hand, small black clip-on microphone on his chest. No beautification, no age change. Energetic and friendly, talks straight to the camera. His hands are empty for the whole clip.

WHERE EVERYTHING IS — fixed for the whole clip, nothing moves except him
He stands at the centre of the frame, framed from the top of his head to his knees, on the glossy white apron in front of the red carpet. Left foreground: the matte graphite Lamborghini Revuelto with bronze accents, nose toward the camera, Y-shaped headlights lit, scissor door raised. Behind it on the far left: the palm-lined drive and the parked black Rolls-Royce. Directly behind him: the curved cream terminal with floor-to-ceiling gold-tinted glass. To his right: the white private jet with the gold cheatline, its nose just behind his right shoulder, the door open and the airstair with warm wooden steps coming down to the end of the red carpet. No other people.

ACTION — one continuous shot, every timing follows @C3784_3 exactly
0.0–1.0s — From the spread-arms pose of @start_frame his hands rise to head height, then come down in front of his chest.
1.0–2.5s — Hands relaxed at waist height with small explaining gestures. At 2.5s his fingertips pinch together in front of his chest.
2.5–4.5s — Small, precise explaining gestures with both hands in front of his chest and belly.
4.5–5.5s — Opens his hands wider, then lifts both hands to head height, arms spread.
5.5–6.5s — Hands at shoulder height, thumbs up, then his right hand points to his own chest.
6.5–8.5s — His right hand stays low at his chest while his left hand rises beside his left shoulder, index finger up, the gold watch catching the light. At 8.5s his left hand is up near his head.
8.5–10.0s — Both hands come down in front of his chest with small gestures, then his right hand opens palm-up at his waist.
10.0–10.6s — Takes one small step toward the camera. His figure grows slightly larger in frame.
10.6–11.2s — Opens both arms to the sides at waist height, palms up.
11.2–12.2s — Brings his hands together in front of his belly, fingertips touching.
12.2–13.0s — Opens both arms wide to the sides at waist height, palms up, and holds this pose to the last frame.

SOUND — NOTHING IS GENERATED
The only audio in this clip is the original audio track of @C3784_3, passed through completely unchanged: his own real voice exactly as recorded, with the same words, timing, pauses and tone. Do not generate, re-voice, dub, translate or imitate any speech. Do not add music, ambience, wind, engine sounds, sound effects or whooshes. Silence is preferable to any new sound.

KEEP CONSISTENT
- The clip starts exactly on @start_frame, never on any other frame.
- Wardrobe, car, jet, terminal, light and colour grade match @start_frame in every frame.
- His face is the face in @start_frame in every frame, including after he steps closer at 10s.
- His mouth movements match @C3784_3 frame by frame, in sync with the original audio.
- The audio is the untouched original track of @C3784_3. No generated voice and no added sound.
- The camera is locked off: same position, lens and framing as @start_frame, no zoom, no pan, no cut.
- His body motion is identical to @C3784_3. His only movement across the ground is one small step forward at 10.0–10.6s.
- The Lamborghini, Rolls-Royce and jet never move. The scissor door stays raised.
- No cap, white shirt, shorts, sandals, pink toy jeep or blue ladder at any moment.
- No other people. No on-screen text, subtitles, graphics or watermark.
- Rich, saturated, warm sunlit colour in every frame, never washed out, hazy or grey.

نزّل الملفات من تحت: مهارة Claude، وملف فيه البرومبتين بالحرف + قالب فاضي تملاه لفيديوهاتك. ولو عملت فيديو بالطريقة دي، ابعتهولي 😂